Parasol New Arrivals • July 22, 2008

Hi friends,

Well, not a whole lot to report on our personal end of the spectrum this week. Actually, us old timers made it out for a couple of shows this weekend. First and foremost, our gal pal Ms. Heaton had a show(s) on Friday/Sunday and schooled Chicago, east-central Illinois style, while the rest of us stayed put in good ol’ Champaign-Urbana. Joe Ziemba’s Beaujolais one-man band tore it up with his sequencer, borrowed Orange amp and his surprisingly thunderous drum style. Jeez Joe, way to rip. Across the street, Bon Iver and New Ruins shared the stage and beers. Now that’s a lot of action for folks who are usually in bed by 9:00 pm.

All right then. While that’s all we’ve got for you right now, we’ll let the releases below breathe for a while.

Maybe the sun is shining,

Roy & Paul

Below is a list of new arrivals for this week. To search for a specific item or to browse our entire catalog click here. Or, click here to go back to the Parasol Home Page. Click here to see previous weeks new arrivals.

QUICK LINKS INTO PARASOL.COM
DIGITAL UNDERGROUND: FREE PARASOL DOWNLOADS
JIM's PICK: Great Music from Scandinavia
New Releases
Mail Order Portal
Gift Certificates

Parasol Mail Order Pick of the Week

Karen Dalton "Green Rocky Road: The Loop Tapes, Pine Street Recordings" CD $16.25 (Delmore)
Never-released 1963 home recordings packaged in a CD gatefold Japanese mini-LP jacket. Discovered on the same reel-to-reel tapes that housed the Cotton Eyed Joe release. Remastered at Abbey Road Studios by Peter Mew. With 8-page booklet with beautiful, newly-unearthed photos of Karen Dalton from 1962-1963. Liner notes by Dick Weissman. The release of Green Rocky Road fills in the lacunae in the rightly romanticized mythos of the late folk music legend Karen Dalton and goes a long way in clarifying her crucial role in the evolution of modern acoustic music from 'folk' source materials. Includes a lengthy interview with Joe Loop who was Karen's friend and patron in the early 60's when he'd often book her into the coffee house he ran in Boulder CO. The new album features private recordings she made at his home while visiting (last year saw the release of live recordings from said coffee house). The only formal studio recordings made during Karen's lifetime -- released in 1969 and 1971 respectively -- were thoroughly dissected upon their recent re-release. As wonderful as these albums were, they captured Karen in relatively awkward circumstances. Green Rocky Road, along with last year's Cotton Eyed Joe, provide a rare glimpse of Karen Dalton circa 1962 and 1963 at her most pure, most powerful, and at ease. These recordings, released by Delmore Recordings (in association with the Megaphone label), document her unique artistry at the time she was profoundly influencing the likes of Fred Neil, Tim Hardin and Bob Dylan.

Thrillsville: Parasol staff's weekly picks
Jim picks: {{{Sunset}}} - The Glowing City CD From lo-fi concept to what amounts to a pair of psy-ops/psych-pop operas squeezed onto one CD, the dude's dropped two full-length albums (and a limited live and odds and sods cassette ) all in the last few months. Will {{{Sunset}}} release another album this year? It could happen.

Roy picks: Beck - Sea Change CD Early morning songs of isolation and loneliness.

Angie picks: Various Artists - Thank You For the Music (Licking Fingers) CD
When Frida Hyvönen wrote on my myspace page...it was one of the happiest days of my life!

New Releases

Ambarchi, Oren
A Final Kiss on Poisoned Cheeks
PS, US There is a vivid breadth to the guitar deconstructions of Australian OREN AMBARCHI. Sometimes his work takes a delicate lilt; it can also dive into dark and deep pools of sound when he joins cowl-core ensembles Sunn O))) (with Stephen O'Malley) and Burial Chamber Trio (with Greg Anderson). Whether with those bands, solo, or in collaboration with luminaries ranging from Mike Patton and John Zorn to Christian Fennesz, he consistently reroutes his instrument into zones of arch, alien abstraction. "A Final Kiss on Poisoned Cheeks" offers a dizzying gaze straight into a chasm of extreme frequencies - paint-peelingly high and bowel-churningly low - all set atop a sub-strata of menace, angst, and contemplative beauty.
TableOfTheElements-95
LP
$14.25


Arbouretum/Pontiak
Split
PS, US A special LP-only split release by Arbouretum & their Baltimore friends Pontiak, Thrill Jockey's new signees making their label debut. Feat. new songs from each band as well as a handful of John Cale covers, w/ Arbouretum offering their rendition of "Buffalo Ballet," & Pontiak delivering a potent "The Endless Plain of Fortune" & a great new interpretation of "Mr. Wilson". The album was recorded at Pontiak's home studio in Warrenton, VA.
ThrillJockey
LP
$11.50


Armour, Douglas
The Light Of The Golden Day, The Arms Of The Night
PS, US And now for something different... Fulfilling the promise of his impeccable entry in our 7-inch series, THE SOCIAL CLUB, THE SOCIAL REGISTRY is proud to announce "The Light Of A Golden Day, The Arms Of The Night" -- the debut LP from Los Angeles located DOUGLAS ARMOUR. This album finds the artist expertly blending tons of our favorite poptones from days past to create a hyper-literate pastiche that's equal parts nostalgia and forward thinking. Echoing its title, the LP has a structure that plays off binary oppositions to create one of the most varied pop albums we've heard in a long time.
TheSocialRegistry-051
LP
$10.25


Astro/Hiroshi Hasegawa
The Echo From The Purple Dawn
PS, US The Echo From The Purple Dawn is a brand new full length from C.C.C.C. member Hiroshi Hasegawa's solo project Astro. Using a battery of oscillators, ring modulators and field recordings Hasegawa has created an engaging and versitile album that masterfully drifts between spaced out analog dream drone and a more extreme form of harsher droning. As Astro Hasegawa is able to combine some of the harsher influence of C.C.C.C. into the world of analog space music to create the signature sounds of Astro. Included is a live track recorded at a festival at the Tokyo Keizai niversity organized by Tetsuo Kogawa. Cover art designed by Important. ASTRO is Hiroshi Hasegawa's solo project. He is a founding member of the Japanese noise group C.C.C.C. Born in 1963, Hasegawa began his improvisation with his voice and drums. In 1990, he made the group C.C.C.C. around the concept of improvised mass-noise with a very loud sound. Members included Mayuko Hino, Ryuichi Nagakubo, Fumio Kosakai. Hasegawa began his solo unit ASTRO with analog synthesizers in 1993 and continued playing in C.C.C.C. Though C.C.C.C. is no more, Hasegawa has continued with Astro and his numerous collaborations drifting between dreamy spaced out bliss and full on waterfalls of beautiful noise.
Important-197
CD
$12.25


Astro/Hiroshi Hasegawa
Live At Muryoku Muzen Temple
PS, US Live At Muryoku Muzen Temple is limited to 500 copies with the first 100 on color vinyl. This is the companion release to the Astro CD titled The Echo At The Purple Dawn being released at the same time on Important Records. Astro, of course, is the analog/space project of Hiroshi Hasegawa of the legendary Japanese group C.C.C.C. This limited vinyl only release was created using ring modulator and vocals which are rare these days in Astro recordings. Cover art designed by Important. ASTRO is Hiroshi Hasegawa's solo project. He is a founding member of the Japanese noise group C.C.C. Born in 1963, Hasegawa began his improvisation with his voice and drums. In 1990, he made the group C.C.C.C. around the concept of improvised mass-noise with a very loud sound. Members included Mayuko Hino, Ryuichi Nagakubo, Fumio Kosakai. Hasegawa began his solo unit ASTRO with analog synthesizers in 1993 and continued playing in C.C.C.C. Though C.C.C.C. is no more, Hasegawa has continued with Astro and his numerous collaborations drifting between dreamy spaced out bliss and full on waterfalls of beautiful noise.
Important-198
LP
$17.75


Bass Communion
Molotov & Haze
PS, US Molotov And Haze is packaged in a deluxe tip-on style heavy-duty gatefold jacket with the cd slipped into a Japanese inner bag. Design by Carl Glover. Bass Communion is a project dedicated to Steven Wilson's recordings in an ambient, drone, and/or electronic vein. Most of the pieces are experiments in texture made from processing recordings of real instruments and field recordings. The atmosphere of the music has tended towards the dark and melancholic, but expressed with an almost Zen like beauty. More recently Wilson has also started working with a guitar and laptop configuration - the first material in this style is contained on this album.
Important-193
CD
$12.25


Bass Communion & Pig
Live In Mexico City
PS, US Limited edition of 500 copies and packaged in a deluxe screen printed jacket with a clear spot gloss print. There are 5 different cover color variations each limited to 100 copies and containing a different color of vinyl. Packaged, like all Important releases, in a handy resealable Japanese poly-bag. Printed by Neil Burke at Monoroid. Steven Wilson - guitar / laptop, andres solis - turntables, rogelio sosa - voice, daniel goldaracena - devices. Recorded live at laboratorio de arte alameda in mexico city on 27th feb 2008. Collaboration with the live action / improv group from Mexico City PIG. This will only be available on vinyl and is the companion release to the Bass Communion record Moltov And Haze being issued on Important Records simultaneously.
Important-194
LP
$22.75


Beck
Modern Guilt
PS, US At first glance, it seems like the teaming of Beck and Danger Mouse is a perfect pairing of postmodern pranksters, as neither musician has shaken the first impression he's made: for most, Beck is still seen as that ironic Loser, trawling through pop culture's junk heap, while Danger Mouse is the maverick of The Grey Album, the mash-up of the Beatles and Jay-Z that reads like a joke but doesn't play like one. Close listening to either man's body of work easily dispels these notions, as Beck has spent as much time mining the murky melancholia of Mutations as he has crafting neon freakouts like Midnite Vultures. He's made a career bouncing from one extreme to the other, occasionally revisiting the cut 'n' paste collage that would have seemed like a natural fit for the sample-centric Danger Mouse, but when he partnered with Danger Mouse in 2008, Beck's pendulum was swinging away from the Odelay aesthetic, as he spent two records on the lighter side, thereby dictating a turn toward the dark. As it happens, this is Danger Mouse's true forte, as his productions have almost uniformly been dark, impressionistic pop-noir, whether he's working with Damon Albarn on the Gorillaz or the Good, the Bad & the Queen, or collaborating with Cee-Lo as Gnarls Barkley (whose fluke hit "Crazy" had nasty rumbling undercurrents) or even blues-rockers the Black Keys. So, he turns out to be a perfect fit for Beck, just perhaps not in the way that many might expect, although the title of their album Modern Guilt should be a big tip-off that these ten tracks are hardly all sunshine and roses. Compared to the waves of grief on Sea Change, Modern Guilt trips easily, as this is a deft tapestry of drum loops, tape splices, and chugging guitars pitched halfway between new wave and Sonic Youth. This may not brood but it's impossible to deny its heaviness, either in its tone or its lyrics. Beck peppers Modern Guilt with allusions to jets, warheads, suicide, all manners of modern maladies, and if the words don't form coherent pictures, the lines that catch the ear create a vivid portrait of unease, a vibe that Danger Mouse mirrors with his densely wound yet spare production. As on his work with Albarn and the Black Keys, Danger Mouse doesn't impose his own aesthetic as much as he finds a way to make it fit with Beck's, so everything here feels familiar, whether it's the swinging '60s spy riff on "Gamma Ray," the rangy blues on "Soul of Man," the stiff shuffle of the title track, or the thick and gauzy "Chemtrails," which harks back to the sluggish, narcotic psychedelia of Mutations. Danger Mouse assists not only with execution but with focus, pulling in Modern Guilt at just over half an hour, which is frankly a relief after the unending sprawl of The Information and Guero. Its leanness is one of the greatest attributes of Modern Guilt, as every song stays as long as it needs to, then lingers behind in memory, leaving behind a collection of echoes and impressions. If anything, Modern Guilt may be just a little bit too transient, as it doesn't dig quite as deep as its subjects might suggest, but that's also par for the course for both Beck and Danger Mouse: they tend to prefer feel to form. Here, they deliver enough substance and style to make Modern Guilt an effective dosage of 21st century paranoia. ~ Stephen Thomas Erlewine, All Music Guide
DGC
LP
$13.99


Big China & Little Trouble
Black Blood
PS, US Intended to get all material back in print & away from collector prices, this compiles these original recordings w/ last year's "Fur & Teeth" sessions, which were issued as a limited 3" CD in a jewel case that contained ancient shark teeth & bear fur. All selections have been remixed & mastered for maximum effect.
MagicBullet
CD5
$10.25


Big China & Little Trouble
Black Blood
PS, US VINYL VERSION!!!
MagicBullet
LP
$15.75


Black Kids
Partie Traumatic
PS, US Debut album produced by Bernard Butler (Suede. PITCHFORK: "Black Kids make catchy, tightly executed songs that put a memorable stamp on pop's classic themes."
AlmostGold
CD
$13.25


Blectum, Blevin
Gular Flutter
PS, US Breaking a 4 year silence w/ her strongest album yet, Blectum confirms her gift for making electronic music that is allergic to cliche. Threading field recordings & conversation across a lattice of tightly edited rhythm, this tricksy, elastic assemblage demonstrates just how personal, brave, & autonomous electronic music can still be. Some things are worth waiting for.
Aagoo
CD
$8.75


Bodies Of Water
A Certain Feeling
PS, US One year after the self-release of the acclaimed "Ears Will Pop & Eyes Will Blink," BODIES OF WATER have created another full-length offering. "A Certain Feeling," their first record for SECRETLY CANADIAN, was written, arranged and recorded in David & Meredith Metcalf's house in the Northeast L.A. neighborhood of Highland Park. The strains that one can hear running through all of Bodies of Water's music are fully exhibited here; instantly familiar melodies, rich harmonic color, expansively deft arrangements, and compositions that ebb, flow, and double back on themselves in cathartic synchronicity. Though no two songs sound entirely similar, it's a cohesive that comes out feeling like the anthemic prog/gospel/psychedelic/kraut-tribal movie score that Ennio Morricone and Phil Spector never got around to collaborating on. The choral hugeness that typified "Ears Will Pop" still rears its emphatic head, only here it is more often held in reserve while we marinate in each movement before being pulled along into the next passage of the narrative. "A Certain Feeling" is the sound of a group carving out an ever-evolving, but distinct aesthetic niche for themselves The singing, playing, compositions, lyrical themes (obsessive meta-physicality/spiritual surrender/human frailty) are unmistakably theirs. "A Certain Feeling" is a step forward, but assuredly filled with the same beautiful urgency that we have come to expect from them.
SecretlyCanadian-177
LP
$11.50


Bodies Of Water
A Certain Feeling
PS, US One year after the self-release of the acclaimed "Ears Will Pop & Eyes Will Blink," BODIES OF WATER have created another full-length offering. "A Certain Feeling," their first record for SECRETLY CANADIAN, was written, arranged and recorded in David & Meredith Metcalf's house in the Northeast L.A. neighborhood of Highland Park. The strains that one can hear running through all of Bodies of Water's music are fully exhibited here; instantly familiar melodies, rich harmonic color, expansively deft arrangements, and compositions that ebb, flow, and double back on themselves in cathartic synchronicity. Though no two songs sound entirely similar, it's a cohesive that comes out feeling like the anthemic prog/gospel/psychedelic/kraut-tribal movie score that Ennio Morricone and Phil Spector never got around to collaborating on. The choral hugeness that typified "Ears Will Pop" still rears its emphatic head, only here it is more often held in reserve while we marinate in each movement before being pulled along into the next passage of the narrative. "A Certain Feeling" is the sound of a group carving out an ever-evolving, but distinct aesthetic niche for themselves The singing, playing, compositions, lyrical themes (obsessive meta-physicality/spiritual surrender/human frailty) are unmistakably theirs. "A Certain Feeling" is a step forward, but assuredly filled with the same beautiful urgency that we have come to expect from them.
SecretlyCanadian-177
CD
$11.50


Boris
Smile
PS, US NOW ON DOUBLE VINYL! LIMITED!!! One of the most representative themes of this album hails from a distortion-drenched, psychedelic rhythmic barnburner. A distinctly characteristic transformation noted w/ this is the vocal styling, which is more melodic & captivating than ever before. His seamless delivery, knack for harmonies & consonance drive it into innovative horizons w/in the already-extensive Boris catalog.
SouthernLord
DLP
$20.75


Bragg, Billy
Mr. Love & Justice
PS, US VINYL VERSION!!!
Anti
LP
$15.50


Brian Jonestown Massacre
Just Like Kicking Jesus
PS, US New mini album that showcases 5 songs (4 never released before). The first track of this release, "Amazing Electric Cave (Learn To Speak Icelandic You Smug Shit Version)" features the vocals of Icelandic artist & film maker UNNUR ANDREA EINARSDOTTIR.
ARecords/12Tonar
CD5
$9.25


Broken Social Scene/Brendan Canning
Presents: Something For All Of Us
PS, US VINYL VERSION!!!
Arts&Crafts
LP
$17.00


Broken Social Scene/Brendan Canning
Presents: Something For All Of Us
PS, US This is a truly genre-ambitious, progressive work. Broken Social Scene's Brendan Canning finds himself free to experiment w/ a variety of sounds from hushed lo-fi acoustics, to blazing rock n roll, to psychedelic groove. Features his BSS band mates as well as Kevin Hearn, Liz Powell and Liam O'Neil. PITCHFORK: "Chock full of woozy sing-alongs and pulsing ballads, Brendan Canning's debut solo album suggests he's just as responsible for Broken Social Scene's life-affirming guitar pop as Kevin Drew."
Arts&Crafts
CD
$16.00


Broken Strings
S-T
PS, US One man and a cassette 4-track records an incredible collection of burnt-out power pop. Like Daniel Johnston fronting Times New Viking w/Greg Sage on guitar. Only 300 copies made in silver foil stamped jackets about to disappear back into the ether!
TruePantherSounds
LP
$14.25


Bud Shank Quartet
The Pacific Jazz Years
PS, UK The Original Bud Shank Quartet : The Pacific Jazz Years Alto sax star Bud Shank is one of the few surviving modern jazz musicians who truly justifies legendary status. One of the pioneers of 50s West Coast Jazz, California based Shanks career trajectory had him initially winning his spurs within the ranks of the big bands of Charlie Barnet and Stan Kentons historic Innovations Orchestra. With his buzz cut coiffeur, Hawaiian shirts, chinos and open top sports car, the ubiquitous Bud Shank epitomized West Coast cool. Aware of Charlie Parker, it was Lee Konitz, Paul Desmond, and to a lesser extent Benny Carter who caught Buds ear, and his tenure as lead alto sax in Stan Kenton s Orchestra, with Art Pepper on his left, kept Shanks permanently sharp.
GiantStepsRecordings-028
CD
$15.50


Buffalo Killers
Let It Ride
PS, US Drawing comparisons in sound to Blue Cheer, Cream, Neil Young & Crazy Horse, Mountain & the Allman Brothers Band, the trio released their self-titled debut in 2007 to critical raves. "Let it Ride" is an album deeply rooted in their signature 60s psychedelic & 70s blues rock inspired sound.
Alive
CD
$13.50


Burke, Dan/Thomas Dimuzio
Upcoming Events
PS, US Further exploring the collaborative powers of Illusion Of Safety mastermind Dan Burke and prolific sound crafter Thomas Dimuzio, Upcoming Events is an unending spur of equal parts gorgeous and uncomfortably perplexing sound spread of 15 tracks. Crackles of electronic fire, tremolo-infused waves of sustained guitar, broken music boxes and found sounds among all other sorts of unfounded wails of gargantuan melancholy drone, Burke and Dimuzio's collaboration is a forceful collection of early industrial sound ruination combined with classic Krautrock ambiance of the Tangerine Dream/Cluster ilk reassuringly composed into something wholly modern and powerful.
NoFunProductions-32
CD
$12.25


Business Lady
Torture Footage
PS, US Wound up & looped guitar, bass, drums actionz from these Southern California warriors of silliness. Definitely melodic with a dark anthemic quality not seen since Mid- West pioneers MX-80 SOUND or somesuch. This is a limited release for Load Records but exists to erect a fitting Easter Island-stlyed " head" on your island. Definitly sharing certain kinship with the Silver Daggers blast of junk punk, but existing more as an island in the room temperature weirdness that is San Diego. Tune in to this fascinating document of a band with zonked songs & fabulous costumes. Or sleep through it & miss the 21st century. LIMITED TO 500
Load
CD
$12.50


California Oranges
Imperial Hearts
PS, US Our Sacramento, CA indie-pop all stars return with a gem of a pop/rock album full of hooky choruses, call and response guitars and a super tight power-pop rhythm section. A pow-pow-powerful good good feeling! Just as you'd expect from this seasoned music family. Bask in the summer sun with the fourth album from the golden state's California Oranges and a healthy dose of the sunshine power pop they're known for. Underlying the power is a healthy dose of pop: Delicately concocted, contemplative songs exploring life's ups and downs. The quintet has hit their stride on Imperial Hearts. The record features the same line up as their 2005 release Souvenirs: John Conley (Holiday Flyer), Verna Brock (Rocketship, Beanpole, Holiday Flyer, Sinking Ships), Ross Levine (Sinking Ships), Katie Haley (Holiday Flyer, Sinking Ships), and Matt Levine (Sinking Ships). The album was jointly produced by the California Oranges and Dana Gumbiner (Night Night, Deathray). Imperial Hearts was mixed by long time friend of the band, producer/engineer, Eric Stenman (Saves the Day, The Comas, The Cab). The California Oranges construct songs filled with, "soaring boy/girl harmonies, rapid-fire licks of squeaky clean and buzz saw dirty guitar work, consistently up-tempo beats, and melodies that would make tone deaf kitten haters want to sing along" --Popmatters. "Power pop has rarely sounded as sweet." --Treblezine. TRACK LIST: 1. Brand New Spine, 2. We've Got Time, 3. Travel Writer, 4. Anywhere USA, 5. I Still Hold On, 6. Silver Shoes, 7. Feel Better, 8. Waiting Is Slow, 9. I Told Grace, 10. Matter Of Consequence, 11. I Won't Let You Back In, 12. When I Sleep.
Darla-193
CD
$12.25


Canadians
A Sky With No Stars
PS, US Canadians' debut album A Sky With No Stars showcases this band's great ability to play catchy indie-pop anthems that are unforgettable & timeless.
Ghost
CD
$16.00


Capstan Shafts, The
Fixation Protocols
PS, US One-man-band masterminded by Dean Wells. An album that has grown from its lo-fi roots to a more maturely-crafted sound. His inclination towards brevity persists, w/nearly all the 22 lo-fi songs getting to the point in less than 2 minutes. The appealing homemade indie fuzz-rock is still replete w/ catchy melodies, perfect playful pop hooks, & classic rock guitar riffs. This album conjures early R.E.M. through a lysergic prism, Guided By Voices & Wire.
RainbowQuartz
CD
$13.50


Cluster
Sowiesoso
PS, US Moebius & Roedelius, released this, their fourth album in '76. Electronic rhythms combine w/ bubbling synths, piano & guitar to create sonic landscapes of pure bliss. Some of the greatest ambient electronic music ever, they were on the cutting edge of German space-rock, & pioneers whose influence can
still be felt today.
4MenwithBeards
LP
$16.75


Cryptacize/Why?
Unusual Animals Vol. 4
PS, US This is the fourth in a series of vinyl-only releases. The series, entitled UNUSUAL ANIMALS, pairs ASTHMATIC KITTY roster artists with friends and sometimes-unlikely bedfellows. Each record includes a beautiful rendering of one of Mother Nature's stranger inhabitants by illustrator Jared Chapman. This limited-edition series expands the Asthmatic Kitty family to include some unexpected folks.
AsthmaticKitty-406
45
$3.75


CSS
Donkey
PS, US Brazil's CSS release their follow-up to 2006's "Cansei de Ser Sexy" ("I got tired of being sexy"). They've toured worldwide a number of times with the likes of Gwen Stefani, Ladytron, Klaxons, and Diplo, and played festivals from Coachella, Pitchfork, and Virgin to Reading, Benicassim, Roskilde, and beyond. "Donkey" is tough, street-ready, and recreates the frenetic energy of their live shows. Equal parts dance party, urban circus, and out-and-out chaos.
Subpop
CD
$12.50


CSS
Donkey
PS, US VINYL VERSION!!!
Subpop
LP
$12.50


Dalton, Karen
Green Rocky Road: The Loop Tapes, Pine Street Recordings (ON SALE)
PS, US Never-released 1963 home recordings packaged in a CD gatefold Japanese mini-LP jacket. Discovered on the same reel-to-reel tapes that housed the Cotton Eyed Joe release. Remastered at Abbey Road Studios by Peter Mew. With 8-page booklet with beautiful, newly-unearthed photos of Karen Dalton from 1962-1963. Liner notes by Dick Weissman. The release of Green Rocky Road fills in the lacunae in the rightly romanticized mythos of the late folk music legend Karen Dalton and goes a long way in clarifying her crucial role in the evolution of modern acoustic music from 'folk' source materials. Includes a lengthy interview with Joe Loop who was Karen's friend and patron in the early 60's when he'd often book her into the coffee house he ran in Boulder CO. The new album features private recordings she made at his home while visiting (last year saw the release of live recordings from said coffee house). The only formal studio recordings made during Karen's lifetime -- released in 1969 and 1971 respectively -- were thoroughly dissected upon their recent re-release. As wonderful as these albums were, they captured Karen in relatively awkward circumstances. Green Rocky Road, along with last year's Cotton Eyed Joe, provide a rare glimpse of Karen Dalton circa 1962 and 1963 at her most pure, most powerful, and at ease. These recordings, released by Delmore Recordings (in association with the Megaphone label), document her unique artistry at the time she was profoundly influencing the likes of Fred Neil, Tim Hardin and Bob Dylan.
Delmore
CD
$16.25


Dark Meat/Diplo
Split
PS, US LIMITED TO 500!! On one side, Dark Meat cover Iggy Pop's classic jam "Success" & on the other side Diplo deconstructs it on a track entitled "Unsuccessful Space Jam."
Whirlychunk
45
$6.00


Dawn Chorus
Florida St. Serenade
PS, US 10 songs that crackle & sparkle with elements of indie pop, southern jangle pop, rock, & subtle hints of shoegaze. Recorded by Brian Paulson (Beck, Wilco, Superchunk)
FracturedDiscs
CD
$10.50


Dead Can Dance
Aion (Remastered | Super Audio CD)
PS, US This 1990 release contains twelve songs recorded in Brendan Perry and Lisa Gerrard's own studio in southern Ireland.
4AD
CD
$17.50


Dead Can Dance
S-T (Remastered | Super Audio CD)
PS, US On their eponymous debut, released in 1982, they successfully harnessed a bewitching barrage of sounds, layering grinding guitars and even a dulcimer-like yang chin over a taut wash of percussion. Their range is staggering, as is their disciplined economy, with no song lasting more than four minutes or degenerating into formless cacophony.
4AD
CD
$17.50


Dead Can Dance
Within The Realm Of A Dying Sun (Remastered | Super Audio CD)
PS, US Their third album, originally released in 1987. With record sales worldwide increasing, the band was reaching a wider audience than ever before.
4AD
CD
$17.50


Dead Can Dance
The Serpent s Egg (Remastered | Super Audio CD)
PS, US Their fourth album, originally released in 1988. At the time of its release, Brendan Perry and Lisa Gerrard were in Spain writing and recording music for "El Nino De La Luna", a film in which Lisa also made her acting debut.
4AD
CD
$17.50


Dead Can Dance
Toward The Within (Remastered | Super Audio CD)
PS, US Originally released in 1994, this record was an audio document of the band's 1993 sell-out world tour. Recorded at the Mayfair Theater in Santa Monica, CA, in front of an invited audience at the conclusion of the tour, the shows were also filmed with the intent of releasing a long form concert film. Includes twelve previously unrecorded Dead Can Dance tracks as well as material from their six previous studio albums.
4AD
CD
$17.50


Dead Can Dance
Into The Labyrinth (Remastered | Super Audio CD)
PS, US This 1993 release saw Brendan Perry and Lisa Gerrard embark on individual paths. While this record of all new material was considered a commercial breakthrough (it was 4AD's best-seller at a million copies worldwide and counting), it was also their most divided. They both wrote songs independent of one another, on separate continents.
4AD
CD
$17.50


Dead Can Dance
Spleen And Ideal (Remastered | Super Audio CD)
PS, US The primarily experimental structure of their second album, released in 1986, dispelled any notion that the band deserved the post-Gothic label slapped on them by the music press. "Spleen And Ideal" defined a new richness of unification between voice and music, lyrics and structure.
4AD
CD
$17.50


Dead Can Dance
Garden Of The Arcane Delights (Remastered | Super Audio CD)
PS, US This four-track EP is packaged separately in a replica of its original sleeve with the SACD edition.
4AD
CD
$14.75


Dead Can Dance
Spiritchaser (Remastered | Super Audio CD)
PS, US Their seventh studio album was released in 1996, and focused on the more percussive, tribal side of the group's music. It was their first studio album since 1993's "Into The Labyrinth".
4AD
CD
$17.50


Dead Dog
S-T
PS, US Dead Dog are young, punk and on Mauled By Tigers( they are the folks who put out the Vivian Girls full length that everyone wants.)
MauledByTigers
LP
$11.50


Difford, Chris
Last Temptation of Chris
PS, US Squeeze dude's latest solo outing.
Airline
CD
$15.75


Diplomats of Solid Sound
S-T
PS, US Featuring The Diplomettes! You can hear the band growing stronger in sophistication & depth as they further ingest the sounds of 60s soul, R&B & deep funk. In 2006 they asked 3 gifted soul sirens (SARAH CRAM, KATHERINE RUESTOW & ABIGAIL SAWYER) to join the group & the rest as they say is 'soul' history. This album is chocked full of irresistible funk & soul bombs ready to melt your heart or make you shake it on the dance-floor.
Pravda
CD
$12.75


DJ Donna Summer
Panther Tracks vol. 2
PS, UK About this release: He's back! It's been 2 years since Jason Forrest released his last full-length album, and 5 years since he's released as Donna Summer. So now he's back, this time with the slightly different moniker (DJ Donna Summer) and his first release for his own Cock Rock Disco label. Just as "Shamelessly Exciting" was a record that mixed different genres into a new mash of sampled sounds, "Panther Tracks" is a record comprised of different styles of dance music made solely with the intention to get people moving! From Booty to Breakcore, Happy Hardcore to Hardstyle, Techno to B'more Club Music, Forrest has it in there! Initially begun as a sort of remix record, "Panther Tracks" builds heavily on a variety of sampled heroes. One can hear Dj Chip and Dj Technics form the skeleton of more booty oriented tracks like "Peepers" and "Boomshakalaka". While some live recordings (on cassette) of old-school Uk Breakbeat Rave festivals by DJ Slipmat, Ratpack, and Ellis D are reconstructed to make new Breakcore styled dance tracks. Traces of Hardstyle, Techno and a whole lot of Breakcore yield such gems as "Party People", "Get Down" and "Rock Rock Rock". No style too hard or too cheesy to learn from, "Panther Tracks" is like the ultimate Rave; it's fun, slightly crazy, and will keep you dancing all night long.
CockRockDisco-16
12
$14.50


Doiron, Julie
Loneliest In The Morning
PS, US Originally released in 1997 by SUB POP, "Loneliest In The Morning" was Doiron's second solo release and her first release as JULIE DOIRON (having dropped the moniker Broken Girl). This re-issue comes complete with three bonus tracks: "Second Time" from split 7" with Snailhouse and the tracks "Who Will Be The One" and "Too Much" from the 7" release Doiron recorded with the Wooden Stars. "Loneliest In The Morning" - an album Pitchfork described as "catchy enough to knock Liz Phair upside the head" - is a critical piece to the Doiron catalog and given the wonderful relationship Doiron and JAGJAGUWAR have forged over the last decade, this re-issue is particularly significant.
Jagjaguwar-061
CD
$11.50


Dr. Dog
Fate
PS, US VINYL VERSION!!!
ParkTheVan
LP
$15.50


Dr. Dog
Fate
PS, US Fate" sees the Philadelphia-based quintet filtering the gamut of American popular music into its own idiosyncratic brand of blue-eyed, dilated-pupil soul. As ever, Dr. Dog makes magic from an enduring pop palette of intricate harmonies, shape-shifting melodies, and ramshackle audio ingenuity - all presented through the band's slightly skewed and utterly individualistic outlook. Dr. Dog have toured with Wilco, Strokes, Raconteurs, Black Keys, Clap Your Hands Say Yeah, Magic Numbers, Cold War Kids, and more.
ParkTheVan
CD
$14.00


Dr. Dog
Easy Beat
PS, US VINYL VERSION!!!
ParkTheVan
LP
$12.50


Drakkar Sauna
Wars and Tornadoes
PS, US A disc of Louvin Brothers covers. Gleefully dark with olden-time harmonies & musical arrangements.
Marriage
CD
$15.25


Dredd Foole
Kissing the Contemporary Bliss
PS, US For over 30 years troubadour wailer Dan Ireton, aka DREDD FOOLE, has called upon the spirit of 78 shellac blues n' psychedelic Stooges n' Velvets to fuel his guttural, pure soul ethos of the song. Whether solo or leading mass, Foole hints at the classic forms of Dylan's "Blood On The Tracks", Buckley's "Starsailor" and the celestial fug of Sun Ra's third-eye vision to create an approach untraveled yet increasingly influential (see: Six Organs of Admittance, Sunburned Hand of the Man). Produced in multi-dimensional spectrasound by Matt "MV" Valentine (Bummer Road, Tower Recordings), "Kissing The Contemporary Bliss" spans 50 miles of elbow room (it's a double CD) and kicks up the most outward bound and staggering approaches to Gus Cannon's "Walk Right In" and Robert Johnson's "Stones In My Passway" while offering ear-popping originals colored by Erika Elder's jug blowin' and Coot Moon's ecstatic, reverb dosed banjo. You'll hear nothing like this in 2008 or beyond. Packaged in a mini-LP-styled gatefold book with full color photos of The Foole in action.
FamilyVineyard-56
DCD
$14.25


Drive-By Truckers
Brighter Than Creation's Dark
PS, US Drive-By Truckers leader Patterson Hood wrote in a post on the band's website that 2007 "was supposed to be our year of taking it easy," but it doesn't seem to have worked out that way, and that's a good thing for everyone concerned. The songwriting bug seems to have bit the Drive-By Truckers sometime after the release of 2006's A Blessing and a Curse, and while that album was a bit short on top-shelf material (at least compared to the band's work since Southern Rock Opera), Brighter Than Creation's Dark is a dazzling return to form, delivering some of their finest, most eclectic, and most mature music to date. The album's strength is a pleasant surprise given the departure of guitarist and tunesmith Jason Isbell, who had become one of the group's most interesting writers, but founding members Hood and Mike Cooley have risen to the occasion with some excellent new songs, and bassist Shonna Tucker (who's also Isbell's ex-wife) steps forward as a composer and lead vocalist on this set with three great songs about broken hearts and the stuff that follows in their wake. Opening with "Two Daughters and a Beautiful Wife," a song by Hood sung from the perspective of a man who has just died and wonders what will become of his family, Brighter Than Creation's Dark presents 19 portraits of folks struggling to make sense of an increasingly chaotic world, ranging from an alcoholic father ("Daddy Needs a Drink") and a family man struggling to hold onto a little piece of the American dream ("The Righteous Path") to a middle-aged guy whose gotten a little too used to being lonely ("Bob") and an illegal gun dealer running short on options ("Checkout Time in Vegas"). While the Truckers are still a great full-tilt hard rock band, Brighter Than Creation's Dark finds them slowing down and turning down a bit more than usual, and in this case it works well for them -- the homey twang of "Lisa's Birthday" and "I'm Sorry Huston" gives new guitarist and pedal steel player John Neff a chance to shine, and the light acoustic arrangement of "Perfect Timing" fits the lyrical portrait of a cheerfully flawed man just fine. And "That Man I Shot" is a blazing, troubling masterpiece in which a soldier home from Iraq can't tear away the memory of a man he killed in combat ("That man I shot, I didn't know him/I was just doing my job, maybe so was he"). It's a tale of the most human consequences of war that's built from equal portions of anger, confusion, and compassion, and it's hard to imagine any other band pulling off its fusion of Southern-fried street smarts and guitar-fueled thunder. It's one of several brilliant moments on Brighter Than Creation's Dark, and less than three weeks into 2008 it's hard not to escape the feeling that with this disc we may already have the best album of the year. ~ Mark Deming, All Music Guide
New West
DLP
$27.05


Electro Group
Historical Contest
PS, US Rewind to the early 90s - the heyday of the shoegaze scene. A little-known band from Sacramento called Graham Cracker Cyclone was all the hometown rage -- they were opening up for bands like Chapterhouse and Blur at the legendary Cattle Club. GCC featured Verna Brock (of California Oranges and Holiday Flyer Fame) along with Tim Jacobson and Ian Hernandez who went on to form Electro Group with Matt Hull. (Incidentally, Tim and Verna also played stints in Rocketship as well). Sometime toward the end of Graham Cracker Cyclone's days (1992-94), Electro Group was formed and the six songs featured here were written during that beautiful period. Four of these songs were released on hyper-limited demo cassettes from that period. The other two have never been released. After GCC split, they tried to find a new sound away from their Cure-influenced pop to a more distorted and dreamy sound. As with all Claire's Echo releases, this release is LIMITED to just 300 copies worldwide -- 200 copies on 180-gram black vinyl.
Claire'sEcho-004
12
$12.25


Eleh
Homage to the Square Wave
PS, US
Taiga-4
LP
$16.25


Elias and the Wizzkids
A Little Mess
PS, SWEDEN "A Little Mess is a jangly, bouncy celebration of the auditorily absurd. Harmonica, flute, howled lyrics and harmonized choruses crowd the album, which bears more in common with the lovelorn 1950s boy-girl group movement than their less accessible, cool as ice Svenska indie pop counterparts1. Indirectly addressing this disparity, their myspace banner announces, "We're though being cool." Lyrically, Elias and his beloved Wizzkids skew darker. When you're not on stage hosting a geek-filled love fest...well, sometimes life kinda sucks. The album tracks the slow, determined progression into adulthood and everything that makes you lose sleep along the way. You turn 24, and wonder where your job, house, wife and kids are. Naturally, steps are taken to rectify the situation. "The job" finds Elias forced to answer the eternal burning question: What the hell are you supposed to say/when they ask you to describe yourself in just three words? In "The Mermaid," Elias works on the lack of wife problem. However, things don't go as swimmingly as he'd hoped2. Despite being told there are many other fish in the sea, Elias moans, You were never a fish/no, you were a mermaid to me. Yeah, can't help you there dude, I'm still wearing waterwings. The album ends, if not with the answers on how to avoid this inevitable angst-filled rite of passage (although "The Dance" does make a good case for frolicking away the blues), then at least a temporary respite from that whole growing up thing. Elias tucks himself in at night, Wizzkids accompaniment slowly fading into the distance, and sighs, When you're lying in bed and not sleeping yet
and you can still feel the fresh taste of toothpaste, isn't it nice to turn out the lights and say goodnight? Yes. Yes it is. Just don't grow up too much before your next album, okay?" - Would-be-hipsters.com
Hybris-056
CD
$17.75


Elias and the Wizzkids
The Dance
PS, SWEDEN The Dance EP includes the single "The dance" and three exclusive tracks. "Elias & the Wizzkids' single "The Dance" starts out with Elias Åkesson singing about how much coffee and tea he's had to drink, which is pretty obvious from the song's jittery tempo, rushing strums, and caffeine-high piano. Only Maria Formgren's flute sounds like it's calm and collected, as if trying to keep this rowdy lot in line. "The Dance" might be called twee if it slowed down long enough; even the song's Decemberistic video features a footrace... that breaks into a soccer tournament... that breaks into a midfield dance party. Elias sings about trying to outrun some unnamed restlessness: he goes to a coffeehouse, he goes to a movie, he wanders around, he finally goes home and starts dancing his heart out. Even his neighbor's threats to call the police can't bring him down. Here's hoping he doesn't switch to decaf anytime soon." - Stephen M. Deusner, Pitchfork. "The best music for me supersedes genre and classification: anything that'll evoke good memories and hope and truth in me is worth my time, no matter what the setting or backdrop. Elias & the Wizzkids (MySpace) is one such band. I don't even want to describe these Swedish chaps with constraining words like swing and folk and soul (all of which would be accurate though, I guess). They're just special and precious, and that should be enough. Hold on to Elias & the Wizzkids. The four-piece sings charming songs about charming things with charming similes and metaphors with charming harmonies and harmonicas and driving bass lines to accompany the whole production. An utterly charming and endearing band, to say the least. This stuff sounds like it's decades old, maybe a lost artifact from the singin' folksy 60s or something. The cover of Oasis' "Wonderwall" is spectacular. It's a refreshing update -- in a very old way -- of the rather bland song (sorry Gallagher fans). I can't get enough of "The Dance," and "Autumn Leaves" is just so, so sweet ... I just want to lay on my bed and curl up, listening to it for the whole day. Coming from me, such complimentary words are rare: I'm not one to be taken in by something as soft and pretty as Elias & the Wizzkids' music, but I've become a sucker for these guys." - Nik Mercer, Bibabidi.com
Hybris-052
CD5
$8.25


Escovedo, Alejandro
Real Animal
PS, US It may be simplistic to describe Alejandro Escovedo's 2006 album The Boxing Mirror as a record inspired by the artist's brush with death, but given the record's back story -- it was recorded as Escovedo was recovering from a near-fatal bout with Hepatitis C -- it's hard not to imagine its brave and often dazzling creative ambition was fueled by Escovedo's knowledge that these could be his last words as a musician. Two years later, a healthier and stronger Escovedo returned to the studio to record his ninth studio album, Real Animal, and by comparison this is a leaner, more tightly focused session; in fact, this is the strongest rock album Escovedo has made since his 1997 album with Buick MacKane, The Pawn Shop Years. It's easy to tag Real Animal as a less ambitious and artful collection than The Boxing Mirror, but viewed on its own merits this ranks with the best and most powerful music of Escovedo's career. Like The Boxing Mirror, which was produced by John Cale, Real Animal was recorded with a producer who worked with some of Escovedo's primal influences, Tony Visconti, and his recordings with David Bowie and T. Rex doubtless helped him connect with Escovedo the smart but swaggering rocker in a way Cale did not; this set of songs is every bit as intelligent and emotionally resonant as Escovedo's best work, but it moves with a taut energy and insistent force that informs even the quieter, acoustic oriented numbers, such as the bluesy "People (We're Only Gonna Live So Long)," and the plaintive "Hollywood Hills." While Escovedo wrote the tunes on Real Animal with Chuck Prophet, the songs bear his stylistic hallmarks and melodic sensibilities throughout, and these stories are dotted with places and events from Escovedo's past -- discovering music as a kid ("Golden Bear"), his days as a San Francisco punk rocker ("Nun's Song"), flirting with the New York bohemian scene ("Chelsea Hotel '78"), and barnstorming with a rock & roll band ("Chip 'N' Tony"). Even when the cues to Escovedo's past aren't obvious, there's too much heart, soul, and blood in this music to not to have come directly from his heart, and he's seemingly incapable of singing from any other place, giving this music an emotional power that reaches down to the soul. If The Boxing Mirror was a work influenced by the shadow of mortality, Real Animal is an album about life -- both as survival and as the faces and moments that fill our days on this Earth. How many artists could make two masterpieces in a row that are so different? And how much do you want to bet that Escovedo still has one or two more records this good in him? ~ Mark Deming, All Music Guide
Blue Note
DLP
$18.40


Espvall, Helena & Masaki Batoh
S-T
PS, US They are known to open-eared music listeners for their collaborations w/ artists like Ghost, Espers, Damon & Naomi, Fursaxa, Bert Jansch among others. This recording session was held in Tokyo in Dec. 2007. For instruments fans, this session might be a treasure. So many strings were used. 6 Swedish traditional tunes were reconstructed along w/ a classic Son House song.
DragCity
CD
$13.25


Espvall, Helena & Masaki Batoh
S-T
PS, US VINYL VERSION!!!
DragCity
LP
$14.75


Fairport Convention
Liege & Lief
PS, US Originally released in '70, this is considered by many to be the paramount of British folk-rock. They roll through no less than 4 traditional British folk songs incl. an incredible reading of "Tam Lin" along w/ quality originals that pay tribute to & expand on their rich tradition.
4MenWithBeards
LP
$16.75


Familjen
Huvudet I Sanden
PS, SWEDEN Filled with playfulness, without rose-eyed 80s nostalgia, Familjen feels very modern. He blends naive 80's melodies, 90's beats and 00's glitches into a cohesive whole. That combined with his squealing 303's and subtle guitars makes it all sound like it was recorded tomorrow. "Huvudet I Sanden" is a remix album with remixes of various Familjen songs by 11 different dance floor geniuses including: 1. Familjen - Huvudet i sanden, 2. Kasper Bjørke - The danish super star!, 3. Krazy Fiesta - Party crew responsible for the amazing "Lip Gloss" remix, 4. Adam Tensta - The savior for Swedish Hip Hop!, 5. Mike Downey - This American prodigy living in Stockholm puts a German beat to it. So international., 6. Perfume Uniform - Acoustic guitars in electronic music? But of course! Excellent dreamy version., 7. The Field - Best selling debut album on Kompakt says it all. 2007 was The Fields year all over., 8. Pluxus - Familjen says this sounds like if you have smoked too much weed and just lie there vomiting your guts out. Nice one!, 9. Boeoes Kaelstigen - Already a legendary remix on the dance floors. Straight from STHLM subway. More than one have pointed out these guys as the future of techno., 10. Tomi Kiiosk - Hässleholm - Finland. Well yeah? Why not!, 11. DJ Wool - One half of NYC party machine The Glass. Glen Brady - king of the skate board, booze and hustle., 12. Kid in the Air - Admit you love euro dance.
Hybris-061
CD
$17.75


Faun Fables
Table Forgotten
PS, US This is the first taste in an ongoing series of projects by Dawn McCarthy on a theme that's been largely unexplored in recent times: the ageold practices of tending a home & its immediate impact upon our day to day lives. It is an invitation to return to our kitchens & homes w/ reverence, to enjoy a largely overlooked sanctuary in the modern age.
DragCity
CD
$11.00


Felix
La Vida Secreta
PS, CHILE Author pop, with simple and refined musical arrangements; convert this debut from the Argentinian songwriter Felix, "La Vida Secreta", in an absolute discovery. Felix recovers the capacity to compose intimates lyrics that are perfect partners for affable melodies that convert this debut in an essential work. His lyrics seems chronicles about a generation personal worries, and locate this songwriter in the first line of highlights musicians from his country like Coiffeur or Diosque, that update the face of the indie song in that latitudes.
Quemasucabeza-018
CD
$13.50


Forward, Russia!
Life Processes
PS, US A weighty prog-rock album this certainly is not, though; this is tumultuous modern rock, infused w/ the sort of spirit that some made At The Drive-In such a must-see live attraction, & likewise Les Savy Fav today.
Mute
CD
$15.25


Fucked Up
Year Of The Pig
PS, US Last year's limited edition 12-inch "Year Of The Pig", released on the Brooklyn label What's Your Rupture? is now available through Matador in three formats: 12-inch EP with download coupon and the two original tracks ("Year Of The Pig" and "Black Hats"); 7-inch single with "Year Of The Pig" edit and "Mustaa Lunta" with a special sleeve; CD EP with eight tracks - all the above songs plus two edits and B-sides of UK and Japanese 7-inches. This is not comforting music, but it's utterly engrossing and honest. Fucked Up have broken out of the hardcore ghetto and have rewritten the rules of the game.
Matador
CD
$7.00


Fucked Up
Year Of The Pig
PS, US VINYL VERSION!!!
Matador
LP
$8.75


Girls
Lust For Life b/w Morninglight
PS, US Ex-member of Holy Shit (the Ariel Pink one) goes out on his own and records a couple of mini masterpieces. The first single is two sides, two insanely compelling, righteously and messed up pop songs. Sounds range from Vaselines/Jesus and Mary Chain wall of noise to Elvis Costello-voiced revelations.
TruePantherSounds
45
$4.75


Hair Police
The Certainty of Swarms
PS, US First Full length release from hair police since 2005, and their most masterful yet, combining signature piercing vocals with walls of guitars, precise heavy electronics and thundering drums. The fusion of metal, noise rock, free jazz, industrial, and harsh electronics that makes up The Certainty of Swarms is the rare kind of heterogeneous concoction that is carefully matured, but never lost in pedestrian calculation. A blistering onslaught of metallic-fused noise-murk, Swarms is considered by the band to be one of their most complete statements to date, an aptly blindsiding and developed work drawing from all quarters of their craft.
NoFunProductions-39
CD
$12.25


Harvey, PJ
Rid of Me
PS, US 1993's Rid Of Me, is an art-punk classic that pushes the genre, & w/ it the listener, to extremes. Alternating between searing noise/feedback & sparse open spaces, this is truly an emotional experience. As usual, legendary producer Steve Albini maximizes every sound & space, working w/ that exacting, mechanical precision that he has come to be known for, the perfect complement to her harsh, stark, disturbed songwriting.
Plain
LP
$16.75


Havana 3 A.M.
Havana 3 a.m.
PS, UK Reissue. A first time CD release for Havana 3a.m.'s self-titled 1991 album. The band formed by ex Clash bass player Paul Simonon, described as 'the coolest man ever to strap on a bass guitar ' conjures up a blend of Latino flavoring built on the solid base of Rockabilly. Their sound evokes images of Spaghetti Westerns, 1950's America and the heyday of Cuba's capital Havana all with a contemporary twist. The CD features the 12 original tracks from the album including the single "Reach The Rock" and other band favorites "Joyride", "Hey Amigo", "The Hardest Game" and "Blue Gene Vincent".
CherryRed-201
CD
$15.50


Hiawata!
Blacks On Blondes EP
PS, NORWAY Norwegian act Hiawata! is often compared to bands like Lemonheads, Belle & Sebastian, Television Personalities and other such greats. Blacks on Blondes is a fivetrack EP produced by Kenneth Ishak (Beezewax). Kenneth has brought the band closer to their heroes in Dinosaur Jr. and the Lemonheads, but not without letting go of their fetish for the Smiths and other UK acts. 75 OR LESS: "I welcome the '90s revival Hiawata! and a few other bands (Times New Viking, Wet Paint) are ushering in with their imperfect musicianship, bent vocals and inexhaustible energy. The five little songs on Blacks on Blondes remind me of the years before the internet made finding good music so easy, when the only real option was scouring mailorder catalogs and taking inexpensive risks. Their melody-rich guitar-heavy music would have fit nicely between Sebadoh and Built to Spill on mixtapes."
SellOut!Music
CD5
$0.25


High Places
03/07-09/07
PS, US This began as an experiment in collaboration: 2 people w/ diverse artistic backgrounds coming together to merge their skills, aesthetic tastes, & music-making approaches. The songs contain a fascinating range of aural layers: bells & bird calls over a wash of ocean waves; mallets hitting mixing bowls over treated guitar & glockenspiel; Mary's reflective vocals over Rob's inventive & infectious beats. This is a collection of tracks previously only available on 7'' vinyl & compilations. This is the first time these songs are all available on CD.
ThrillJockey
CD
$11.50


Hotpants Romance
It's a Heatwave
PS, US Three girls! Three years! Three chords! Hotpants Romance debut album 'It's a Heatwave' is shouty, shambolic, garage pop that wears its heart on its sleeve. On the 14th February 2005 Hotpants Romance formed two hours before their first gig, with a vow to play once a year on Valentines Day, after a storming two and a half song set the audience wanted more. The original plan was dropped in favour of playing anywhere and everywhere that Anyone would have them. The rest of 2005 had their first tape 'The Greatest Hits' was released on Manchester DIY label Soft Presents and the 50 copies quickly sold out. Gigs were played all around the UK with many amazing bands, winning over audiences with energetic and shambolic live shows. 2006 had Hotpants Romance playing more shows and releasing their demo EP titled "Lucky 6". In 2007 things started to really come together when the girls were able to tour with their post punk heroes the Nightingales, only to be followed by a support slot for the Ting Tings UK tour. In 2008 after a win on a horse called Purple Moon, Nightingale Robert Lloyd is able to release the first Hotpants Romance album on his Big Print label. 'It's a Heatwave' crashed into the world, catching the attention of music press and radio stations to great critical acclaim. The girls booked a short US East Coast tour with Christie and Emily. They are currently working on songs for a 7" on Cherryade Records in the UK, and getting ready for a performance at this years' Athens PopFest in Athens, Georgia, having their "It's a Heatwave" released on Happy Happy Birthday to Me Records in the states, and a 2 week South East US tour with new label-mates Cars Can Be Blue.
HHBTM-103
CD
$12.25


Juvelen
1
PS, SWEDEN Pitchfork 10/10. "More than a year after issuing his debut EP, the mighty (and yes he's mighty already) Jonas Pettersson has finally released his debut full-length under the Juvelen moniker. Entitled "1", it is so, as his debut album, and also, one of the best flat-out pop albums I have heard in years. The strange thing about this album though, is that each of it's ten songs could be a hit single, yet it retains a cohesive feel that a singles collection does not. Every track is a stand-out, however, for the skeptic I'd recommend "Money don't talk", "Don't mess" and "Everytime" to win you over. His seductive, synthesizer heavy pop/r&b hybrid could-and should-elevate Juvelen to being a global household name. It's pure pop perfection will make you smile, and dance, and smile and dance." - Matt Giordano, It's a trap.com. "Sweden is starting to frighten me. It wasn't enough for the Scandinavian nation to catch the garage-rock wave or usurp Glasgow's rightful place as a wellspring for wimpy indie-pop. No, the Swedes also had to show off their prowess at electro-pop, dreamy epic disco, and, with lesser success (so far), hip-hop. Stockholm's Juvelen plants the blue and yellow flag firmly in the terrain of funky, r&b-informed synth-pop. (His name is Swedish for "jewel," so just be thankful he didn't choose to annex 1990s folk-pop.) "Hanna", from Juvelen's recently released debut album, 1, is a good preview of Juvelen's Prince-ly falsetto and twitchy dancefloor hooks. Produced by Patrik Berger, who worked on Robyn's self-titled album, "Hanna" sounds a note of regret to one of Juvelen's own Billie Jeans, with an arrangement of taut guitars, smooth synths, and propulsive bass that keeps the track always moving-- just like the insatiable Swedish pop scene." - Marc Hogan, Pitchfork.
Hybris-066
CD
$17.75


Kid, The
Transient Blood
PS, SWEDEN "The Kid aren't concerned with petty meanings, they want the consequences, the mixed emotions and the ultra-highs. They pin down that word by its strictest definition and force it to perform, reward and pay out. They make it dance until it smiles, spin until it laughs and I find myself selfishly joining in; foot-tapping, hands beating and body twitching all over. They make me crave multi-coloured lights, speakers as large as houses, and a chance to hold hands with that girl from a John Hughes movie. No problems, no worries; everything is magically washed away, except that moment between you and her and an empty dance floor." - Souls on tape.net "The Kid's sophomore album, Transient Blood. This is BBBD's first time listening to the Gothenburg quartet, but boy are they good. Imagine Sambassadeur merged with New Order circa 1987. The Swedes have a penchant for churning out tracks with heavy, super-catchy bass lines, playful synth riffs, and rhythm guitar parts that sound so in motion, so fresh and not boring like rhythm guitar tends to be. And the Kid does it best. The first single off the record, "Transient Dance," is a stunning jam that's reminiscent of cutesy European exports like Bonnie & Clyde and more recent New Order cuts like "Krafty." It's charming beyond belief, and the rest of the release holds muster well. Transient Blood is out now,, and you must purchase it if you hope to have an enjoyable summer ... or if you're looking for that perfect soundtrack for a house party, BBQ, whatever. It'll work." - Nik Mercer, Bibabidi.com
Hybris-067
CD
$17.75


Loved, The
Everything, Anything, Nothing
PS, US Formed in 1996 and disbanded less than two years later, THE LOVED were an accidentally mysterious pop trio from the unlikely locale of Louisville, KY. In truth, they were just three ordinary guys making Beatles-inspired pop with a few nods to some 70s and 80s guitar gods. Their shows became notorious in Louisville; loud, sweaty affairs where the crowd knew all the words to songs that weren't yet recorded, much less released (a remarkable feat in the age before downloading or record leaks). Available here for the first time, "Everything, Anything, Nothing" collects the entire recorded history of The Loved, culled from the only two recording sessions during their brief existence. Recorded on 8-track analog tape by Kevin Coultas (Rodan), and remastered by Alan Douches at West West Side Music (Yes, Sufjan Stevens), this is the way The Loved were always meant to be heard, and truly the way they should be remembered: three ordinary guys that just happened to make ten great songs.
TemporaryResidenceLtd.-141
CD
$9.00


Lucky Dragons
Dream Island Laughing Language
PS, US 18th release by this LA based band details the continuning pursuit of humble, ecstatic, drippy, explosive, smoldering & upsetting music . For fans of Bonnie Prince Billy, Six Organs of Admittance, Dirty Projectors.
Marriage
CD
$14.25


Lustmord
Other
PS, US Lustmord has been creeping out the music world since 1980, prior to joining industrial forefathers SPK. By the time he started scoring films like 1994's "The Crow", he'd already worked with English experimental luminaries Nurse With Wound, Current 93, and members of Coil. His latest collection of night terrors and Lynch-ian atmospherics features guest shots from Adam Jones (Tool), Aaron Turner (Isis), and Buzz Osborne (Melvins). "...heavily treated, producing thick drone textures that alternate between beautiful and scary" - All Music Guide.
HydraHead
CD
$12.50


Mansfields
Cramp Your Style
PS, US VINYL VERSION!!!
Gearhead
LP
$8.75


Mansfields
Cramp Your Style
PS, US Equal parts Cramps, New York Dolls & 50's Sun-era Rockabilly.
Gearhead
CD
$12.00


Mate
Ventajas De Ser Optimista
PS, SPAIN 'Ventajas de ser optimista' (Advantages of being an optimist), is a collection of singable stories crafted by Alberto Matesanz (aka Mate) singer, songwriter, and multi-instrumentalist, who has created a lot of excitement in the indie pop community. Personal and unpretentious, Mate generate luminous pop songs with a deep sense of longing and nostalgia. This is a mature, intelligent pop record that proofs that there's life in the pop underground yet, a cause for serious celebration. Recorded mostly at Calle Mayor studio, Alberto has received the remarkable support of Ramón Leal in the recording of percussions and drums. Again Mr Mate has traveled to the Alex the Great Studio in Nashville, Tennessee (USA) to gather the magic touch of Brad Jones who has added subtleties to the songs creating absolute pop splendor. The final touch has the mastering signature of another renowned prodigy Mr. Jim DeMain's who resides in his spaceship (YesMaster studio/Nashville). The purity of the harmonies, the very preciousness and melancholy of Matesanz's songwriting will attract fans of French sounds (Delerm, Biolay, Marchet, Dominique A, Daho...), Sarah records, Beatles, Belle and Sebastian, Kings of Convenience...
Siesta-238
CD
$19.50


McFarland, Gary & Gabor Szabo
Sketch For Summer
PS, UK Though they came from radically different cultures and found their way into jazz via widely divergent routes, Gabor Szabo and Gary McFarland formed an all-too brief working relationship that produced a spectacular range of solo and collaborative works spanning jazz, bossa nova, psychedelia, Indian raga, Hungarian folk, orchestral and film music. Focusing on the mid-sixties years with Prestige, Verve and Impulse, this edition comprises highlights from Gypsy 66, Spellbinder, Jazz Raga, The Sorcerer, Simpatico, The In Sound, Scorpio and Other Signs and McFarland's score for Eye of the Devil and includes such impossible rarities as Gary's characteristically serene performances of Margo Guryan's Rivergirl and The Dreamer by Antonio Carlos Jobim.
El-148
CD
$15.50


Mouse Rocket
Pretty Loud (LP/CD)
PS, US Mouserocket is back with their sophomore album after two years in the making and four years apart from their 2004 debut on Empty. Worth the wait? YES! This LP has been as carefully injected with deliciously sweet rock n roll razorblades as a half-opened Halloween treat. The no nonsense, semi-sweet / creeped-out pop of Mouserocket is back! Back with a southern-tinged delivery that conjures the charm of Roky Erickson and the clean tastes and mighty grandeur of Television.
TicTacTotally
LP
$12.00


Mouth Of The Architect
Quietly
PS, US VINYL VERSION!!!
TranslationLoss
DLP
$20.25


Mouth of the Architect
Quietly
PS, US The group's new opus sees a true return to form & a conscious reconfiguring of modern experimental music as a whole. ALEX VERNON returns on guitars & vocals. Vocal guest appearance from JULIE CHRISTMAS (MADE OUT OF BABIES).
TranslationLoss
CD
$14.50


One Day As A Lion
S-T EP
PS, US ALL MUSIC GUIDE: "Here it is...finally. One Day as a Lion are Zack de la Rocha, lead vocalist for Rage Against the Machine, and Jon Theodore, former drummer with the Mars Volta. De la Rocha and Theodore have been reportedly working on this project since 2006. The end result is a volatile mix of rhythm, noise, and radical poetry."
Anti
CD5
$8.50


Parsons, Gram
GP
PS, US
Rhino/Scorpio
LP
$13.00


Pas/Cal
I Was Raised On Matthew, Mark, Luke & Laura
PS, UK Seven years in the making, and just as many members in the band. Le Grand Magistery is proud to present Pas/Cal's debut album, "I Was Raised on Matthew, Mark, Luke & Laura." Twelve songs so intricate, so catchy, so filled with bubblegum, glitter, and wit that you'll spend the next seven years singing along. If you like music like this, you'll love this music! So sit down, get down, and boogie down. Prepare to laugh ("Oh Honey We're Ridiculous", "Little Red Radio"), cry ("You Were Too Old For Me", "Glorious Ballad of The Ignored"), get seasonal ("Summer Is Almost Here", "Little Red Radio"), quizzical ("The Truth Behind All The Vogues She Sold"), reflective ("Dearest Bernard Living"), playful (We Made Out Way, We Amtrakked"), and enjoy the soothing sounds of the Suite Cherry suite of cherry-themed numbers ("Cherry Needs A Name", "Cherry Tree", "O My Cherry"). Oh yes, you're not going to want to miss this one folks. It's a doozy!
LeGrandMagistery-043
CD
$12.25


Polvo
Shapes
PS, US This was their final album, released in 1997. It continues in the vein of "Exploded Drawing", weaving plaintive vibes, eastern passages, and rip roarin' freakouts in a pastiche eluding basic classification.
Touch&Go
LP
$12.00


Polvo
Exploded Drawing
PS, US Originally released in April 1996, this was generally received as Polvo's "White Album", the moment when the band finally kicked off its shoes, cracked the studio windows, and unleashed a long suite of songs showcasing their true range. This double LP gives it all up: paranoid blues rants, Delhi-via-the Ozarks hoedowns, spaghetti western lopers, carnivalesque boogie, a blazing, frustrated finale, and as always, that guitar sound.
Touch&Go
DLP
$15.00


Ranaldo, Lee
Countless Centuries Fled into the Distance Like So Many Storms
PS, US SONIC YOUTH'S LEE RANALDO was part of the original TABLE OF THE ELEMENTS "Guitar Series" in 1993; now he returns with "Countless Centuries Fled into the Distance Like So Many Storms". It's an epic earful, replete with shimmering textures and an inimitable charging clangor. With ecstatic, rocking squalor, he summons some dazzling shronk, reminiscent of early SY, the soaring drone of John Cale, and even the looping orientalia of Dream Syndicate-era La Monte Young. So duck and cover, as Lee fires an impeccably aimed fusillade across the screaming fields of sonic love.
Tableoftheelements-97
LP
$14.25


Red Krayola
Fingerpointing
PS, US Free form freak out is dead! Long live free form freak out! This follows their ur-formula, designed to immerse & entertain the listener & confound the FM DJ's & anyone else's quest for the perfect seque in a narrative of counter-cultural meaningfulness. Feat. DAVID GRUBBS, GEORGE HURLEY, STEPHEN PRINA, MAYO THOMPSON, TOM WATSON, SANDY YANG, ALBERT OEHLEN & ELISA RANDAZZO. Mixed by JIM O'ROURKE
DragCity
CD
$13.25


Rumble Strips
Girls and Weather
PS, US W/ their somewhat eccentric origins in Devon, the 4 men from Tavistock have fashioned a set of songs steeped w/ huge, life-affirming choruses all awash w/ the optimism of youth.
GiganticMusic
CD
$12.75


Sabicas
Flamencan Guitar Solos
PS, UK Virtuoso guitarist Sabicas exported flamenco in its most thrilling and uncompromising form. What the public heard and responded to was his astonishing artistry - the rhythmic drive, the dizzying speed of his runs, the sheer ferocity of his attack coupled with the sensitivity and poise of his touch. Sabicas's dedication and perfectionism established the yardstick against which both his contemporaries and the next generation of guitarists were obliged to measure themselves. He almost single - handedly established the right of flamenco to stand among the world's greatest musical traditions. Made four Albums for Elektra and rock collaboration with Joe Beck.
El-149
CD
$15.50


Schmidt, Irwin & Kumo
Axolotl Eyes
PS, US Irwin Schmidt (CAN) & the Professor Of Popular Music (Kumo) release this for your listening enjoyment. Feat. shimmering grooves, subterranean bass, theremin & violin providing the perfect foil for Schmidt's peerless & enduringly adventurous playing.
Mute
DCD
$18.25


Shining Path
Chocolate Gasoline
PS, US While their eponymous album exists in the world of post-SST black-clad psychedelia & noise, the group decided that they had gone far enough in said direction & realigned themselves. Influences ranging from hard dub, early PiL, no wave, block-banging hip hop, & kraut-dance/industrial, if one could imagine a version of Viva more about bikinis than white overalls.
HolyMountain
12
$14.25


Sinthetix
Gateway
PS, US SINTHETIX launched the American invasion of drum n bass and reinvented the neurofunk sound - becoming the first to cross the Atlantic in the primarily UK dominated Drum N Bass world. Impulse, Rob F, and MC Mecha collide with stalwart artists Black Sun Empire, UFO!, and others in this compilation of their biggest singles, including 7 unreleased tunes not available elsewhere! The resurgence of step beats and modern club neurofunk started here, and it's development thoroughly chronicled on this double CD set.
OhmResistance-2M
DCD
$13.25


Skyscraper
#28
PS, US Features on Total Abuse, Night Wounds, Au, Bowerbirds, Genghis Tron, Crystal Castles, Man Man, King Khan, Jay Reatard, Mick Barr, Russian Circles, Modey Lemon, The Black Angels, Wolf Parade, Islands, Melvins, & Six Finger Satellite plus the usual plethora of articles, & reviews.
ZINE
$5.50


Smile Down Upon Us
Smile Down Upon Us
PS, UK Smile Down Upon Us is a very modern kind of band. Comprising Phelan Sheppard, the duo behind celebrated album Harps Old Master, and Japanese artist moomLooo, it's a project that crosses cultural and musical boundaries. And, for the duration of recording their self-titled debut album, it existed solely on the Internet, as the three have never met. The band came about when Keiron Phelan, a prodigious MySpace trawler, came across moomLooo's page and her enchanting recordings for Japan's Clay label. He sent a message introducing himself, and she responded saying she admired his work too. "None of us had any reservations about working together from the word go," says Phelan. "It just seemed natural - a touch of kismet." Soon, they began sending ideas back and forth on the Internet, sound files whizzing between Tokyo and London. Though initially a project to occupy Phelan whilst David Sheppard was writing his much-anticipated Brian Eno biography, On Some Faraway Beach, Phelan's long-time fellow group member soon came into the fold. The pair set up in East London's Soup Studio, in the basement of ukulele shop Duke Of Uke. There, they purloined parlour guitars, banjos and ukes from the shop and recorded them into ProTools, blending old and new, as well as east and west. Over in Japan, at home and at Tokyo's Naturebliss studio, moomLooo recorded her largely electronic parts and field recordings, adding delicately captivating vocals and spoken word, half in English, half in Japanese. Soon, they were writing parts for each other, playing to each other's strengths. "I don't speak any Japanese and moom's English is so-so," says Phelan. "In order to understand each other, we had to use simple language, and our emails began to look like a dialogue between two hyper-enthusiastic nine year-olds. We could only discuss things in a very 'primary colour' way and the music seemed to become extremely vivid too. Dave and I had the idea that this was sounding like a Chagall painting looks. That seemed a really strong and suitable feeling for the band, so we pushed it along that road." Between the language barriers, time differences and hours downloading files, the process of creating the album took almost 14 months. When moomLooo emailed the last part over, it came with a recorded message introducing herself to the pair. "It's been a very mysterious process," says Phelan. "I email moom all the time, but I know very little about her. I've never met her, never spoken to her. I don't know how old she is or what she does for a living. None of the usual things. And I think we all found this an intriguing situation." The resulting album has a strange kind of magic, an essence running through it. Blending warm wooden instruments with moomLooo's icy vocal, it sounds modern at the same time as aged, distinctly Japanese but rooted in the conventions of modern, electronic folk music. More structured than Phelan Sheppard's usually instrumental music, it reveals a new, accessible side to their work, one that's sure to appeal to fans of Bjork, Deerhoof and lovers of beautiful, beguiling music everywhere. The next step in the evolution of Smile Down Upon Us is to turn it into a functioning live band. In Japan, moomLooo has assembled a couple of musicians to recreate the songs until she finally meets with Phelan and Sheppard this summer, when they intend to stage what's bound to be some very special live shows indeed. "It would be quite something to have a Smile Down Upon Us (East) and a Smile Down Upon Us (West)," says Phelan. "Dave and I have never met or spoken to these musicians, don't even know their names. But soon we'll be able to look on YouTube and see them playing our songs! It's a weird but pleasant feeling."
StaticCaravan-161
CD
$17.75


Son Ambulance
Someone Else's Deja Vu
PS, US They emerge from hibernation deep in a realm of exotic 60s & 70s LPs for their 3rd full-length- a bold leap back into the music world & their most challenging work yet. Tracks make use of rich analog synths, double bass, saxophone & vibraphone, played by various Omaha musicians incl. members of TILLY & THE WALL & THE FAINT.
SaddleCreek
CD
$12.50


Son Ambulance
Someone Else's Deja Vu
PS, US VINYL VERSION!!!
SaddleCreek
DLP
$16.50


Speck Mountain
Summer Above
PS, US VINYL VERSION!!!
BurntBrown
LP
$17.00


Stone Harbour
Emerges
PS, US A trip into the true dark heart of psychedelia. Songs fade in & out; finger-picking blurs into screaming squelching synths; guitars melt in the mid-summer heat. Shimmers like stars in the 2 am fog & haze, & bleeds lost & lonely & bruised into the heat-warped dawn. Includes a handful of previously unreleased tracks from 1975.
LionProductions
CD
$15.00


Strange Boys
Woe Is You And Me
PS, US Fronted by brothers Ryan and Philip Sambol, the Strange Boys are a quartet who brilliantly plow through 60's garage riffs overlayed with Ryan's lazily whined vocals. Not since the Black Lips has a band come down the pike who have managed to take basic garage-beat-rock n' roll and twist it in such a unique way that they come off totally fresh young and original. And, with band members barely in their 20's, The Strange Boys are one of the few bands around who make the Black Lips look old.
InTheRed
45
$4.25


Sunforest
The Sound of Sunforest [re-issue]
PS, UK Steeped in medieval and Renaissance sounds as well as pop, this U.S. female trio epitomized their generation's gleeful experimentalism. Recorded in London's Olympic studios in two weeks in the autumn of 1969, their wonderful album encompasses acid-tinged folk, riotous country, faux 1930s balladry and psychedelic pop with strong melodies, striking vocal harmonies, and immaculate arrangements. One fan was film director Stanley Kubrick -- he included "I Want To Marry A Lighthouse Keeper" and "Overture To The Sun" on his famous Clockwork Orange soundtrack. The album has gone on to become one of the most sought-after releases of its time, and is presented here in a numbered, strictly-limited card-wallet format.
Phoenix
CD
$16.25


Tan Or Boil
Seamstress in a Suitcase
PS, US A pun from those 1970s Bad News Bears films, TOB is the alias of Pittsburgh-born JASON BACASA. A CD-R of songs handed out to around 60 lucky souls witnessing his support slot for Joanna Newsom (he has also played with Cat Power & Devendra Banhart) led to this fully realized record. His songs hold onto a fragmented, on the fly style with a surreal fervour often running through his lyrics & the hushed intimacy that inevitably comes from late-night recording in apartment buildings. Raw and strange beauty exists at the core, though its imaginative, gentle kaleidoscopic spin enhances that feeling & takes it somewhere else
entirely
Preservation
CD
$15.50


Tape Op
#66
PS, US New issue of the #1 recording magazine! This Issue features Adam Fuest, Steve Rosenthal, SLOAN + Nick Detoro, Adam Franklin (SWERVEDRIVER), & all the gearhead goodness you can handle.
ZINE
$4.00


Teenage Film Stars
Star
PS, UK Musical alchemist - where other people struggle Ed Ball plays what we re thinking. --KEVIN SHIELDS, MY BLOODY VALENTINE. November 1991. Creation Records release Loveless by My Bloody Valentine. Three months later Creation Records release Star by Teenage Filmstars. Rumored to have been recorded by an aggregation of various Teenage Fanclubbers and Bloody Valentiners, this mysterious album had journalists and pop stars from Britain and America fascinated by its sound. Wherever My Bloody Valentine have roared throughout the universe the Teenage Filmstars echo has followed, but not blindly. Where the MBV sound is the well-controlled experiment from the lab, the Teenage Filmstars set their rocket to unknown planets - what is Star? An alchemist s philosophy stone thrown surreptitiously into space? It was in fact, the work of one Edward Ball, in between label duties for Creation Records and recording for the label. The Master Of Brinkmanship, as one taste maker of the time described him. This reissue features four previously unreleased extra tracks, including an early version of Edward Ball's hit single "Love Is Blue"(!). The 16-page booklet contains a dissertation of Creation period Edward Ball '88 to '91 by Edward Ball 2008, with full production notes and anecdotes about the label. Lavishly illustrated throughout.
Artpop!-13
CD
$15.50


Teenage Filmstars
Star
PS, UK "...Musical alchemist - where other people struggle Ed Ball plays what we're thinking." --KEVIN SHIELDS, MY BLOODY VALENTINE. November 1991. Creation Records release Loveless by My Bloody Valentine. Three months later Creation Records release Star by Teenage Filmstars. Rumoured to have been recorded by an aggregation of various Teenage Fan-clubbers and Bloody Valentiners, this mysterious album had journalists and pop stars from Britain and America fascinated by its sound. Wherever My Bloody Valentine have roared throughout the universe the Teenage Filmstars echo has followed, but not blindly. Where the MBV sound is the well-controlled experiment from the lab, the Teenage Filmstars set their rocket to unknown planets - what is Star? An alchemist's philosophy stone thrown surreptitiously into space? It was in fact, the work of one Edward Ball, in between label duties for Creation Records and recording for the label. The Master Of Brinkmanship, as one tastemaker of the time described him. This reissue features four previously unreleased extra tracks, including an early version of Edward Ball's hit single "Love Is Blue"(!). The 16-page booklet contains a dissertation of Creation period Edward Ball '88 to '91 by Edward Ball 2008, with full production notes and anecdotes about the label. Lavishly illustrated throughout.
Artpop!-13
CD
$15.50


Teenage Jesus & The Jerks
Shut Up And Bleed
PS, UK The seminal No - Wave band Teenage Jesus and The Jerks were lead by primal screamer and guitarist Lydia Lunch, an individual who has fought her artistic way through the decades, always true to her own vision and always brutally honest. In early 1978, artist and producer Brian Eno attended a series of shows put on to benefit the Artist's Space in Soho and influenced Island Records to finance an anthology LP featuring the four strongest bands - Teenage Jesus and the Jerks, The Contortions, Mars and DNA. The resulting recording, entitled No New York and produced by Eno, remains as one of the most impressive and extraordinarily bold debuts of the time. Here we compiled all Teenage Jesus and The Jerks recordings, alongside some never previously released live material.
CherryRed-367
CD
$15.50


Tenniscoats & Secai
Tenniscoats & Secai
PS, JAPAN Almost 6 years since the mini-album The Ending Theme, Tenniscoats are introducing their work once again through noble label. Tenniscoats is the Tokyo duo of Saya and Ueno Takashi and friends. The open stance of this duo as seen through their emajikick label and their rainbow of collaborations with artists has won the hearts of passionate fans the worldwide. Last year saw sequential release of Tenniscoats music, Totemo Aimasho from Australia's Room40 and Tan-Tan Therapy from Sweden's Hapna. Now, they have welcomed Secai, a duo formed by friends of majikick, Daisuke Namiki a.k.a. NSD and Takeshi Hiruma a.k.a. DASMAN. Together with their partners of creation, the artists have completed Tenniscoats & Secai a collaboration album finished after nearly 2 years of patient brewing. Most of the pieces for this album were created through sessions with the recording, composition, and songwriting added along the way. In addition to the abstract track making which is a signature of Secai work, NSD works together with Saya to create almost half of the lyrics, and DASMAN sings in the chorus and plays bass for an album that unleashes the creative energy of both artists. Combined with Saya's mixing and song writing and Ueno Takashi's poetic playing and inspirations, this album is an original piece of work that highlights the talents of each artist in an organic mixture of sound. Though covered with a fluffy and obscure sound image, the album gives an impression of a crystal world with unlimited clarity. This world is filled with Saya_fs innocent voice, magical melody, and deep lyrics. The visionary music which portrays the fine line between dream and reality will lure listeners into another world. Here, you will find music of freedom and beauty that is sure to bring tears to your eyes.
Noble-1232
CD
$17.00


Terrill, John
Frowny Frown
PS, US Between 1988 and 1998, JOHN TERRILL (co-founder of the late '70s new/no wave DANCING CIGARETTES) recorded this album and made a few copies for close friends and for mailing to musical heroes. In another era, it could have stood next to Scott Walker or Michael Hurley's early albums or even Randy Burns' LPs on ESP Disk. It's an out-of-time classic that mixes honey baked orchestration, acoustic soul, and pop-psychedelia into cracked and spellbinding songs. Now reissued for all and remastered with a bonus track from 1984. "I feel this album is a little gem. Lyrically-a man up against it ("Frowny Frown") as opposed to (Smiley Smile), but still leaning towards humor, kindheartedness, and no bitterness within the adversity. A very feeling album and all kinds of sonically interesting things. The kind of direction Brian Wilson might even have taken himself if his own circumstances had been different. Beach Boys meet Mothers of Invention." - Bill Fay.
FamilyVineyard-60
CD
$11.50


Thee Oh Sees
Sucks Blood
PS, US Prior to entering The Master's Bedroom earlier this year, San Francisco's THEE OH SEES originally self-released the more subdued "Sucks Blood" in early 2007 to fund the latter's recording. Steeped in the natural hues of analog and reverb, "Sucks Blood" is a subtle gem of irresistible pop and basement psychedelia. Immediate classics include the ghostly saw-tinged title track and the charming lumber of the harmonious "Ship". "Sucks Blood" is quite simply yet another testament to the total genius of JOHN DWYER for those who have yet to heed.
Tomlab-118
CD
$12.25


TIAC
Overstaying The Welcome
PS, SWEDEN Overstaying the welcome is TIACs sophomore album. "TIAC sounds sort of like old Magnetic Fields on a very happy day with an